Willem van de Velde the Younger – Velde-The-Younger The Battle Of Kijkduin Near Texel (21 August 1673) 1687
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Here we see several ships actively exchanging fire; plumes of smoke billow from their cannons, obscuring portions of the sails and creating a hazy atmosphere that suggests both distance and the intensity of the conflict. The artist has rendered the water with choppy brushstrokes, conveying movement and turbulence. Whitecaps break across the surface, further amplifying the sense of disorder.
The ships are depicted in varying states of activity – some appear to be maneuvering for advantageous positions, others are caught in the thick of the fighting, their sails torn or damaged. Flags flutter from the masts, though identifying specific national affiliations is difficult due to the distance and obscured details. The color palette is muted, dominated by grays, blues, and browns, which contributes to a somber and dramatic mood.
The artist’s placement of the ships creates a sense of depth; those closer appear more detailed, while those in the background are rendered with less precision, suggesting their distance. This technique draws the viewers eye towards the central cluster of vessels where the most intense action is occurring.
Beyond the immediate depiction of battle, subtexts regarding power and control emerge. The sheer number of ships involved implies a significant conflict, likely one with high stakes. The obscured horizon line contributes to a feeling of confinement and suggests that this engagement is part of a larger, ongoing struggle. Theres an underlying sense of human vulnerability against the backdrop of nature’s indifference; the vastness of the sea and sky dwarfs the ships and their crews, highlighting the precariousness of their situation. The painting doesnt celebrate victory or heroism but rather portrays the brutal reality of naval conflict – a scene of destruction and uncertainty.