Élisabeth Louise Vigée Le Brun – Portrait of Caroline Bonaparte
1807. 216x143
Location: Palace of Versailles (Château de Versailles), Paris.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has rendered the woman in an elaborate gown of pale grey silk, heavily embroidered with floral motifs in gold and green. A crimson cloak drapes over her shoulders, adding a touch of regal grandeur to the ensemble. The high-waisted style, characteristic of the period, emphasizes the slender line of her figure. Her hair is styled simply, adorned with a delicate headband that draws attention to her face.
The child, positioned close to the woman’s leg, appears to be clinging to her skirt. Their expression mirrors a certain seriousness, though softened by an underlying innocence. The childs attire – a simple white dress and ribboned shoes – contrasts with the opulence of the woman’s gown, highlighting their differing social roles.
The architectural setting contributes significantly to the overall impression. The classical columns flanking the figure suggest stability and order, while the arched opening provides a glimpse into an idealized landscape. This vista, rendered in muted greens and blues, evokes notions of tranquility and natural beauty, serving as a symbolic backdrop for the scene unfolding within.
Subtly, the painting conveys themes of familial connection and social status. The woman’s posture and attire suggest her position within a privileged echelon of society, while the presence of the child reinforces ideas about lineage and inheritance. The formal arrangement and carefully controlled lighting contribute to an atmosphere of dignified composure, hinting at a deliberate construction of identity and public image. The garden visible through the archway could be interpreted as representing aspirations for a peaceful future or perhaps alluding to the idealized vision of nature often associated with aristocratic estates.