High on a throne of a royal state which far Outshone the wealth of Ormus and of Ind Gustave Dore (1832-1883)

The engraving presents a scene of immense scale and dramatic upheaval. Here we observe a vast assembly within what appears to be a monumental architectural structure – a palace or temple rendered in stark detail through precise line work. The composition is dominated by a central figure enthroned, elevated above the throng below. This individual exudes an aura of authority, though their features are partially obscured, contributing to a sense of both power and mystery.
The surrounding space teems with figures – a multitude of winged beings, some appearing to be in flight or descent, others engaged in what seems like conflict or chaotic movement. Their postures range from defiant aggression to apparent despair, suggesting a narrative of rebellion or downfall. The artist has employed a dynamic arrangement of bodies and limbs, creating a sense of swirling motion that draws the viewer’s eye across the scene.
The architectural setting itself is noteworthy. Massive columns frame the right side of the composition, their intricate carvings adding to the overall impression of grandeur and opulence. Behind the enthroned figure, an arched opening reveals a luminous space – a suggestion of either heavenly light or perhaps a gateway to another realm. This contrast between the darkness within the palace and the brightness beyond reinforces the thematic tension inherent in the scene.
Subtleties in the rendering invite further interpretation. The varying degrees of detail applied to different figures suggest a hierarchy within the group, with greater emphasis placed on those closest to the central figure or involved in key actions. The use of light and shadow is particularly effective in creating depth and volume, enhancing the dramatic impact of the composition.
The overall impression conveyed is one of profound upheaval – a fall from grace, a rebellion against established order, or perhaps a depiction of divine judgment. The scale of the scene, combined with the expressive gestures and postures of the figures, evokes a sense of tragedy and loss, while the architectural grandeur hints at the magnitude of what has been lost or destroyed.