Gustave Dore – #32669
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ECSTASY. EZEKIELS VISIONS
There is no snow in December. From Pushkin.
A quote? No, its reality.
Bears cannot sleep. They roam through the outskirts
And through the forests, and I am
In some kind of... horror?
The brilliance of the day is extinguished; I walk through the city.
My soul is black with doubts – like ink.
Am I living in reality? Or am I dreaming?
Advertising is everywhere. The colors are monstrous.
Above the house, the letter Ж glows red.
What does it mean? A city of treasures! But
I dont believe these advertising signs.
What does asphalt believe in? In a measured step?
Look, boots are walking, but without legs.
Now I am susceptible to a bad mood;
I look – a puppy is sleeping in front of the store.
Visions of a prophet! The sky above us
Is not revealed completely.
The story branches out. How fascinating
Are these branching stories? The city shines
With all its beauty.
For centuries, we have tried to interpret visions – Kabbalah, etc.
Without envy towards the prophet,
We decided that life is a game. No, its not a game.
No, its not a game; its given once, and you must
Live it, accumulating light in your soul,
So that this light is much brighter than a rainbow,
And fear does not crush you at the moment of death.
You cannot comment Why?
The figures populating the foreground are physically strained, their bodies contorted in postures suggesting heavy toil. Some appear to be hauling materials – likely straw or hay – while others lie prostrate, seemingly exhausted or injured. Their musculature is emphasized, highlighting the physical burden they bear. A palpable sense of despair emanates from these individuals; their expressions are largely obscured, yet their body language conveys a shared experience of hardship.
The central figure’s demeanor contrasts sharply with that of those he observes. He appears detached and contemplative, his gaze directed towards the suffering below. The foliage adorning his head suggests a connection to nature or perhaps a symbolic representation of authority – a shepherd overseeing his flock, or a ruler assessing his subjects. His posture is upright, conveying an air of dignity and distance from the physical labor occurring around him.
The artist’s use of light and shadow contributes significantly to the overall atmosphere. The scene is bathed in a diffused, almost somber light, which accentuates the textures of the landscape and the figures bodies. Deep shadows are cast across the terrain, reinforcing the sense of oppression and confinement. The meticulous rendering of detail – the individual strands of hair, the folds of fabric, the contours of muscle – lends a stark realism to the depiction of suffering.
Subtextually, the engraving seems to explore themes of punishment, labor, and social hierarchy. It raises questions about responsibility, empathy, and the nature of authority. The landscape itself functions as a metaphor for an unforgiving world, where individuals are subjected to relentless toil and hardship. The central figure’s presence introduces a layer of ambiguity – is he a benevolent observer, a detached judge, or perhaps even complicit in the suffering he witnesses? The engraving does not offer easy answers but instead invites contemplation on the complexities of human experience and the dynamics of power.