Part 3 Prado Museum – Haes, Carlos de -- Peñas (Alsasua)
1875, 15 cm x 22 cm, Tabla, Tabla. Carlos de Haes
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The rocks are rendered with thick impasto, creating a tactile quality that suggests their solidity and texture. Patches of moss and lichen cling to the stone surfaces, adding depth and visual interest. The vegetation is equally detailed; individual leaves and branches are suggested rather than precisely defined, contributing to an overall impression of lushness and abundance.
Light plays a crucial role in shaping the scenes atmosphere. It appears diffused, penetrating the canopy in dappled patterns that illuminate certain areas while leaving others shrouded in shadow. This interplay of light and dark creates a sense of mystery and depth within the landscape. The color palette is predominantly composed of greens, browns, and grays, with subtle variations in tone to distinguish different elements.
The painting evokes a feeling of secluded tranquility. There are no human figures or signs of civilization present; the focus remains entirely on the natural world. This absence suggests an intention to portray a pristine environment, untouched by human intervention. The dense vegetation and rocky terrain might symbolize resilience and enduring strength, while the flowing water could represent the passage of time and the cyclical nature of life.
The artist’s technique – the visible brushstrokes and textured surfaces – suggests a desire to capture not just the appearance of the landscape but also its inherent vitality. The work seems less concerned with photographic realism than with conveying an emotional response to the scene, inviting contemplation on the power and beauty of nature.