Part 3 Prado Museum – Morales, Luis de -- La Adoración de los pastores
1570 1575, 100 cm x 167,1 cm x 2 cm, Tabla, Óleo.
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On the left side of the canvas, two male figures are positioned; one holds a lamb draped over his shoulder, while the other is partially unclothed, gesturing towards the central scene with an expression that suggests reverence or astonishment. Their skin tones contrast sharply with the darker hues surrounding them, drawing immediate attention to their presence. Behind these men, a donkey stands passively, its large eye conveying a sense of quiet observation.
The focal point of the painting resides in the group comprised of a woman draped in blue and red garments, holding an infant close to her chest. Her gaze is directed downwards towards the child, suggesting tenderness and protection. Beside her sits an older man with a long beard, clad in red robes and leaning on a staff; his expression mirrors that of the figures on the left – a mixture of awe and humility.
The artist has employed a dramatic use of light and shadow to sculpt the forms and create a sense of depth within the limited space. The lighting highlights the textures of the fabrics, the musculature of the male figures, and the delicate features of the infant. This chiaroscuro effect contributes to the overall emotional intensity of the scene.
Subtly embedded within this depiction are elements that hint at deeper meanings. The presence of the lamb alludes to sacrifice and innocence, while the donkey’s inclusion is a traditional symbol associated with humility and service. The partially unclothed figure might represent humanity stripped bare before the divine. The womans attire – the blue symbolizing piety and the red representing martyrdom – adds layers of symbolic meaning. Overall, the painting conveys a moment of profound spiritual significance, portraying an encounter between the sacred and the earthly in a manner that evokes both wonder and reverence.