Part 3 Prado Museum – Meléndez, Luis Egidio -- Frutero: uvas, peros, melocotones y ciruelas
Tercer cuarto del siglo XVIII, 63 cm x 84 cm, Lienzo, Óleo.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The platter itself is positioned slightly off-center, creating a dynamic asymmetry within the scene. A vine, laden with leaves and tendrils, drapes across the upper portion of the composition, partially obscuring the background landscape. This foliage serves to both frame the fruit and introduce an element of natural growth and abundance.
Behind the platter, a low hill rises into a sky filled with dramatic cloud formations. The distant horizon suggests a vastness that contrasts with the intimate scale of the still life itself. A muted palette of greens, yellows, oranges, and blues contributes to a sense of quiet contemplation. Light falls unevenly across the fruit, highlighting certain areas while leaving others in shadow, which enhances their three-dimensionality.
Beyond the purely descriptive elements, the painting seems to explore themes of abundance, transience, and the beauty of natural forms. The ripeness of the fruit suggests a moment of peak perfection, hinting at the inevitable decay that follows. The silver platter, a symbol of wealth and refinement, elevates the commonplace subject matter into something worthy of careful observation and appreciation. The inclusion of the landscape in the background subtly connects the still life to a larger world, suggesting that even seemingly isolated objects are part of an interconnected ecosystem. Theres a deliberate stillness to the scene; it is not merely a depiction of fruit but rather a meditation on its inherent qualities and symbolic weight.