Part 3 Prado Museum – Wael, Cornelis de -- Abordaje
Siglo XVII, 47 cm x 84 cm, Lienzo, Óleo.
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The central vessel is rendered in considerable detail; its rigging is complex, masts are angled dramatically, and numerous armed individuals swarm across its deck and over the sides into smaller boats approaching it. These smaller craft, filled with soldiers wielding swords and firearms, appear to be actively attempting to seize control of the larger ship. The artist has depicted a variety of expressions on the faces of the combatants – some display grim determination, others are contorted in fear or rage.
The color palette is muted, primarily consisting of browns, grays, and ochres, which contributes to the overall feeling of grit and realism. Patches of brighter colors – reds and whites – are strategically placed on flags and uniforms, drawing the eye to key points within the melee. The light source appears diffuse, casting shadows that deepen the sense of turmoil and confusion.
Beyond the immediate depiction of battle, several subtexts emerge. The sheer scale of the central ship suggests a significant power dynamic at play; it is likely representing a vessel of considerable importance being targeted by a smaller but determined force. The presence of numerous flags – some identifiable as Ottoman crescents – hints at a clash between different cultures and empires.
The painting’s focus on the brutal, close-quarters nature of naval combat implies an interest in portraying not just victory or defeat, but also the human cost of warfare. The chaotic arrangement of figures and vessels conveys a sense of vulnerability and precariousness inherent to such encounters, where individual lives are easily lost amidst the larger strategic objectives. There is a palpable tension between order (the structure of the ships) and disorder (the frenzied action of the combatants), reflecting the unpredictable nature of conflict itself.