Part 3 Prado Museum – Loarte, Alejandro de (Atribuido a) -- Magdalena penitente
Primer cuarto del siglo XVII, 49 cm x 28 cm, Tabla, Óleo.
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The figure’s attire consists primarily of loosely draped fabric that clings to the body, revealing its form and emphasizing a sense of exposure. The skin tone appears pale, contrasting with the darker hues of the surrounding environment. The face is characterized by an elongated shape and intense gaze, contributing to an overall impression of melancholy or introspection.
The landscape behind the figure is rendered in muted tones, creating depth and atmospheric perspective. A body of water reflects a sliver of sky, adding a touch of serenity to the otherwise somber scene. At the base of the composition, near the lower right corner, lies a small object – possibly a basket or container – which could be interpreted as symbolic of sustenance or earthly possessions abandoned in favor of spiritual devotion.
The artist’s use of chiaroscuro – the dramatic contrast between light and shadow – is particularly noteworthy. It serves to highlight the figures form while simultaneously obscuring portions of the background, intensifying the sense of isolation and introspection. The limited color palette reinforces this mood, with earthy browns and greens dominating the scene.
Subtly, the work explores themes of redemption, solitude, and spiritual transformation. The tree itself may symbolize life, strength, or a connection to the divine. The figures posture and expression suggest a journey from sin to repentance, hinting at a narrative of personal struggle and eventual grace. The overall effect is one of quiet contemplation and profound emotional depth.