Part 3 Prado Museum – Montero de Rojas, Juan -- El paso del río Jordán con el Arca de la Alianza
1667, 112 cm x 235 cm, Lienzo, Lienzo.
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On the left side of the scene, individuals on horseback are positioned slightly elevated from the main throng. Their postures suggest observation or leadership roles within the larger assembly. The artist has employed darker pigments for these figures, creating a visual separation between them and those closer to the waters edge. A palpable sense of urgency emanates from this group, conveyed through their forward-leaning stances and focused gazes.
The central focus lies on a procession of men carrying a rectangular object – likely an ornate chest or container – which appears to be the focal point of the event. These figures are clad in long, flowing robes and distinctive headwear, suggesting a priestly or ceremonial role. Their deliberate movements and solemn expressions underscore the sacred nature of their task. The light falls upon them, highlighting the details of their garments and emphasizing their importance within the narrative.
Behind this procession, a vast crowd extends into the middle ground, diminishing in size due to atmospheric perspective. Banners are visible amongst the people, hinting at a formal or organized gathering. The landscape recedes into the distance, with rolling hills and a cloudy sky contributing to an overall feeling of grandeur and scale.
The subdued color palette – primarily browns, grays, and muted greens – creates a somber yet dignified atmosphere. The artist’s use of light and shadow directs the viewers attention towards the central procession and the symbolic object they carry. The composition suggests themes of faith, deliverance, and divine intervention. The river itself likely represents a barrier or obstacle overcome through spiritual guidance, while the carried object could symbolize a covenant or sacred promise. The overall effect is one of reverence and awe in the face of a momentous occasion.