Part 3 Prado Museum – Murillo, Bartolomé Esteban -- Cristo crucificado
1677, 71 cm x 54 cm, Lienzo, Óleo. Bartolomé Esteban Murillo
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Господи, ИИСУС ХРИСТОС СЫН БОЖИЙ, спаси и помилуй нас грешных, и не дай свершиться над нами ничему страшному и гибельному.
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The figure’s head is tilted downwards, the face partially obscured by dark hair that clings to the skin. Theres a sense of resignation rather than overt agony conveyed in this posture. A small cloth drapes loosely around the lower portion of the body, providing a contrast in texture against the smooth expanse of flesh.
At the upper left corner, a scroll or tablet is affixed to the cross, though its inscription remains illegible due to the darkness. At the base of the cross, resting on what appears to be a mound of earth, lies a skull. This inclusion introduces a potent symbol of mortality and transience, reinforcing themes of sacrifice and redemption.
The artist’s use of chiaroscuro – the dramatic contrast between light and dark – is particularly striking. The figure is illuminated from an unseen source, highlighting the musculature and emphasizing the vulnerability of the exposed body. This technique creates a sense of theatricality and draws the viewers attention to the suffering endured.
The overall effect is one of profound solemnity and introspection. The work evokes contemplation on themes of pain, sacrifice, and the fragility of human existence. The stark simplicity of the composition, coupled with the powerful symbolism embedded within it, suggests a meditation on spiritual endurance and the acceptance of fate.