Part 3 Prado Museum – Risueño, José -- Santo Tomás de Aquino
Último tercio del siglo XVII Primer cuarto del siglo XVIII, 108 cm x 82 cm, Lienzo, Lienzo.
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In his left hand, he holds a quill pen poised above what appears to be blank parchment, implying intellectual activity and the act of writing or recording knowledge. His right arm cradles a thick volume, likely representing sacred texts or philosophical treatises. A small emblem, resembling a sunburst with a central motif, is affixed to his chest, positioned over his heart – a symbolic placement indicating faith and spiritual illumination.
The background is layered with atmospheric perspective. Distant architectural elements – a tower and what appears to be a church – are rendered in muted tones, receding into the gloom. A small cluster of vegetation occupies the lower right corner, providing a grounding element amidst the ethereal quality of the scene. Above the figure, a single white dove flies across the sky, often associated with the Holy Spirit or divine guidance.
The artist’s use of chiaroscuro – the contrast between light and dark – is significant. The figure is illuminated from an unseen source, highlighting his features and the details of his garments while leaving much of the background in shadow. This technique creates a sense of drama and emphasizes the subjects importance.
Subtly, there’s a tension between the earthly and the celestial. While the figure wears the garb of a mortal religious order, the wings and the dove suggest a connection to something beyond the human realm. The quill and book signify intellectual pursuit and the transmission of knowledge, but their presentation within this divine context implies that such endeavors are guided by or rooted in faith. The overall effect is one of solemnity and reverence, suggesting a figure who embodies both reason and spirituality.