Part 3 Prado Museum – Sorolla y Bastida, Joaquín -- Chicos en la playa
1909, 118 cm x 185 cm, Lienzo, Óleo.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has employed a palette largely composed of warm ochres, yellows, and sandy browns, punctuated by touches of blue and green reflecting the sky and sea. This limited color range contributes to an overall impression of heat and shimmering light. The brushwork is loose and fluid, particularly evident in the rendering of the water’s surface, which appears almost molten with reflected sunlight. Individual forms are not sharply defined; instead, they blend into one another, creating a sense of movement and fluidity.
The boys themselves appear to be lost in their own private worlds, seemingly oblivious to any external observer. Their postures suggest relaxation and enjoyment – some lie prone, others rest on their elbows, all exhibiting an unselfconscious ease. The lack of direct eye contact with the viewer fosters a feeling of intimacy and invites contemplation of their individual experiences within this shared space.
Beyond the immediate depiction of youthful recreation, the painting evokes broader themes of innocence, vitality, and the passage of time. The fleeting nature of childhood is subtly suggested by the ephemeral quality of light and water, hinting at the transient beauty of these moments. Theres a sense of nostalgia embedded within the scene; it captures not just an instant but also a feeling – a memory of summer days and uncomplicated joy.
The absence of adult figures reinforces the focus on childhood as a realm separate from the concerns of the grown-up world, emphasizing its inherent freedom and potential for boundless play. The composition’s simplicity and lack of narrative detail allow for multiple interpretations, inviting viewers to project their own memories and associations onto the scene.