Giotto di Bondone – Saint Francis of Assisi Receiving the Stigmata, predella - The vision of Pope Innocent III
1295-00
Location: Louvre (Musée du Louvre), Paris.
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Dominating the center of the scene is an elaborate architectural construction, reminiscent of a palatial throne room. A figure, presumably a pope, reclines upon a raised platform draped in crimson fabric. This individual appears to be receiving a vision; his expression conveys a mixture of awe and perhaps apprehension. Above him, a luminous presence descends, radiating light and seemingly interacting with the papal figure.
To the left of the central scene, a building with a prominent tower rises into the background. A window within this structure contains depictions of figures, adding another layer to the narrative complexity. The entire composition is set against a gold-leaf background, which intensifies the sense of otherworldliness and spiritual significance.
The arrangement suggests a hierarchical relationship between the earthly and divine realms. The figure in brown robes acts as an intermediary, connecting the viewer with the papal vision. The architectural setting emphasizes the power and authority associated with both the Church and the divine. The inclusion of figures within the window hints at witnesses or participants in this extraordinary event.
Subtly, a sense of distance is maintained between the observer and the central action. The architecture creates barriers, preventing direct engagement with the vision itself. This reinforces the notion that what is being depicted is a sacred experience, beyond ordinary human comprehension. The use of gold leaf further contributes to this feeling of transcendence, elevating the scene from the mundane into the realm of the spiritual.