Giotto di Bondone – Frescoes in the crossing vault - Allegory of Poverty
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A group of figures surrounds Christ and the recipient, seemingly witnesses to this exchange. Their expressions are solemn, their gazes directed toward the central action. They are framed by halos, indicating their sanctity. To the left, a figure in black robes, likely representing a religious order, actively participates in the scene, his hand clasped with that of Christ.
Below, at the very bottom of the composition, a small child dressed in red is depicted falling or stumbling forward. A single word, PAUPERAS, is inscribed on a tablet near him, suggesting a connection to poverty or destitution. This figure’s placement and inscription introduce an element of earthly suffering and need into the otherwise ethereal scene.
Above the central figures, a winged figure in red robes appears, seemingly observing from a higher plane. The gold background behind all the figures contributes to the overall sense of otherworldliness and spiritual significance.
The subtext of this painting seems to explore themes of divine grace, humility, and poverty. The act of bestowal suggests a transfer of something valuable – perhaps spiritual wealth or blessing – from Christ to an individual who embodies simplicity and devotion. The inclusion of the child and the inscription PAUPERAS implies that true piety is linked to acknowledging and addressing material hardship. The composition as a whole conveys a message about the virtues of poverty, selflessness, and the importance of divine intervention in human affairs.