Giotto di Bondone – 35. Crucifixion
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Below the central figure, a group of individuals are arranged in varying degrees of emotional response. Several appear to be lamenting, their gestures conveying grief and sorrow. One woman, with long flowing hair, kneels directly at the foot of the cross, her posture suggesting profound distress. A man in elaborate robes stands further back, seemingly gesturing towards the scene as if explaining or witnessing the event. The figures are rendered with a degree of naturalism, though their faces possess an idealized quality characteristic of the period. Their garments display a rich palette of colors – reds, yellows, and blues – which contribute to the overall visual vibrancy.
To the left of the main composition is a decorative panel featuring a smaller figure holding what appears to be a book or scroll, accompanied by symbolic floral motifs within an ornate frame. This element introduces a sense of formality and suggests a connection to textual or theological narratives. The surrounding border incorporates geometric patterns that further reinforce this impression of structured design.
The subtexts embedded in the painting revolve around themes of sacrifice, mourning, and divine intervention. The depiction of the lamenting figures underscores the human cost of the central event, while the presence of the celestial beings hints at a spiritual dimension beyond immediate suffering. The decorative panel to the left may allude to the scriptural basis for the scene, grounding it within a broader religious context. The overall effect is one of solemnity and reverence, inviting contemplation on themes of faith, loss, and redemption.