49 The Seven Vices: Infidelity Giotto di Bondone (1266-1337)

The composition presents a figure dominating the central space within a rectangular architectural frame. The individual is clad in voluminous white robes, obscuring any distinct physical features beyond a rounded face and a suggestion of fleshy build. A tall, conical hat further emphasizes their imposing presence. They hold aloft a slender female form connected by a thin cord. This smaller figure appears vulnerable and passive, her gaze directed downwards.
The background is defined by an arched doorway leading into deep shadow, creating a sense of depth and mystery. Above the arch, a winged putto gestures towards a label identifying the scene as Infidelity. The lower portion of the composition features a cluster of stylized flames rendered in shades of red and orange, seemingly emanating from beneath the architectural base. A band of Latin text runs along this bottom edge, likely providing explanatory context.
The arrangement suggests a symbolic representation of transgression. The central figure’s posture conveys authority and control, while the held female form embodies the act of infidelity itself – perhaps representing a betrayed partner or a person succumbing to temptation. The cord binding them together could symbolize the constraints or consequences associated with such actions.
The architectural setting lends formality and weight to the scene, elevating it beyond a simple narrative depiction. It implies a moral judgment being delivered within a structured framework of societal or divine law. The flames at the base likely represent punishment or the destructive nature of sin. The putto’s gesture directs the viewers attention towards this interpretation, reinforcing the didactic purpose of the work.
The overall effect is one of solemnity and cautionary warning, utilizing symbolic figures and a rigid structure to convey a complex moral message about betrayal and its repercussions.