Izobrazhenie Ikony Presviatoi Bogoroditsy Russian folk splints

The composition presents a central female figure within a rectangular format, framed by elaborate decorative elements. The woman is depicted in profile facing left, her gaze directed forward with a solemn and serene expression. She wears a richly ornamented head covering and a cloak adorned with gold detailing, suggesting high status and divine significance. A large halo surrounds her head, further emphasizing her sacred nature.
A striking feature of the work is the presence of numerous swords or blades emanating from her chest and extending outwards. These are not wielded as weapons but appear to be passively present, piercing her garments and seemingly embedded within her form. The arrangement creates a radial pattern, drawing attention to the central point of origin – her heart.
The background is filled with an abundance of floral motifs, predominantly roses in varying shades of pink and red, interspersed with other blossoms and foliage. These flowers are rendered with considerable detail, contributing to the overall richness and ornamental quality of the piece. A border of similar floral patterns surrounds the central image, reinforcing its contained and sacred nature.
The subtexts within this work likely relate to themes of suffering, compassion, and intercession. The swords, traditionally symbols of conflict and pain, are presented not as instruments of aggression but as a visual representation of sorrow endured for the sake of others. Their presence emanating from her chest suggests an acceptance of suffering and a willingness to bear burdens on behalf of humanity. The roses, often associated with love, beauty, and sacrifice, provide a counterpoint to the harshness of the swords, suggesting that even in pain, there is grace and divine comfort.
The overall effect is one of profound piety and maternal tenderness. The artist has created an image intended not merely for aesthetic appreciation but as a conduit for spiritual contemplation and devotion.