Ikona Russian folk splints

The composition presents four distinct panels arranged in a grid-like structure, suggesting a series or collection of devotional images. The color palette is dominated by rich reds, golds, and blues, characteristic of Byzantine artistic traditions. A flattened perspective and stylized representation of figures are evident throughout.
In the upper left quadrant, we see a central figure – likely a mother – embraced within a radiant halo. Surrounding her are numerous smaller figures arranged in concentric circles, each also enclosed by halos. This arrangement suggests a celestial hierarchy or a depiction of intercession between the earthly and divine realms. The overall effect is one of solemnity and reverence.
The upper right panel features a single female figure, adorned with elaborate headwear and garments, holding an infant. Above her head floats a cross inscribed with abbreviations that likely represent Jesus Christ. The figure’s gaze is directed forward, conveying a sense of serenity and authority. Inscriptions in a Cyrillic script are visible beneath the image, providing contextual information about the subjects identity or significance.
The lower left quadrant depicts two male figures dressed in long robes and elaborate headdresses. They stand facing each other, their hands clasped in what appears to be a gesture of blessing or supplication. Inscriptions accompany these figures, identifying them by name and possibly denoting their roles within a religious context. The composition is symmetrical and balanced, emphasizing the importance of both individuals.
Finally, the lower right panel mirrors the upper right in its format – a single female figure holding an infant. This figure’s posture is more relaxed than that of her counterpart in the upper right panel; she holds her hands clasped gently at her waist. The inscription beneath this image also employs Cyrillic script and provides further details about the subjects identity or attributes.
The consistent use of halos, stylized figures, and inscriptions across all four panels points to a shared artistic tradition and purpose – likely intended for private devotion or display within a religious setting. The repetition of the mother-and-child motif suggests a thematic focus on maternal piety and divine grace.