Albert Berg Rice fields near Yeddo 1860 120770 1124 European art; part 1

The drawing presents a landscape dominated by expansive rice fields stretching towards a densely wooded area in the background. The foreground is characterized by gently sloping terrain, delineated with careful hatching that suggests both the unevenness of the land and the texture of the vegetation growing within the fields. A sense of depth is achieved through diminishing detail as the eye moves further into the scene; the distant trees appear less defined than those closer to the viewer.
The artist employed a technique of cross-hatching, particularly evident in the depiction of foliage, creating a complex interplay of light and shadow that lends volume and realism to the vegetation. The trees are not uniformly rendered; some stand as solitary figures while others cluster together, suggesting variations in species or growth patterns. A small structure, possibly a dwelling or shed, is nestled amongst the trees on an elevated portion of the terrain, hinting at human presence within this natural setting.
The composition’s horizontal emphasis reinforces the vastness of the rice fields and their integration with the surrounding landscape. The limited tonal range – primarily grayscale – focuses attention on the forms and textures rather than coloristic effects. A sense of quietude pervades the scene; there is no indication of human activity beyond the implied presence of the structure, contributing to an atmosphere of serene observation.
The inscription Yeddo. 60. in the lower left corner provides a temporal and geographical context, suggesting that this drawing documents a specific location and year. The numerical markings in the bottom right corner might represent measurements or notations related to the artist’s process. Overall, the work conveys an impression of meticulous observation and a desire to capture the essence of a particular place within its natural environment.