CARL JOSEPH AGRICOLA Jupiter and Hebe 11619 172 European art; part 1

The drawing presents a mythological scene rendered in meticulous line work. A youthful female figure dominates the composition; she is seated and draped in flowing fabric that clings to her form, revealing a classical ideal of beauty. Her posture suggests both grace and authority, with one arm extended as if offering or presenting something, while the other rests gently on her lap. The head is tilted slightly, conveying an air of serene contemplation.
Beside her sits a large eagle, its wings partially unfurled, creating a dynamic sense of potential movement. The bird’s gaze is directed upwards, and it holds a vessel – likely an amphora or similar container – in its talons. This detail immediately suggests a connection to divine patronage, as the eagle frequently served as a symbol for Jupiter (Zeus in Greek mythology).
The artist has employed a clear linear style, with careful attention paid to rendering details such as the folds of drapery and the feathers of the eagle. The use of hatching and cross-hatching creates subtle tonal variations, adding depth and volume to the figures. A sense of narrative is implied; the interaction between the woman and the eagle suggests a moment of offering or bestowal, possibly linked to themes of nourishment, immortality, or divine favor.
The inscription in the lower right corner indicates the artist’s initials “F.C.” and the year 1822, providing contextual information about its creation. The overall impression is one of idealized beauty and mythological significance, characteristic of Neoclassical artistic conventions.