Mariotto Albertinelli – Cain kills Abel
1510-1515
Location: Academy Carrara (Accademia Carrara), Bergamo.
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The other figure lies prostrate on the ground, arms raised in what appears to be a gesture of supplication or surprise. He is clad in blue robes, which further emphasizes his vulnerability within the scene. A dark hat rests near him, seemingly discarded during the struggle. The artist has rendered his expression with an intensity that suggests both pain and disbelief.
Several other figures populate the background. One man stands nearby, appearing to witness the event unfold; he gestures towards the sky in a posture of lament or perhaps seeking divine intervention. Another figure tends to cattle grazing on a hillside, seemingly oblivious to the tragedy occurring closer at hand. A small group is visible near what appears to be a structure or dwelling.
Above the scene, a female figure descends from the heavens, her blue garments echoing those worn by the fallen man. Her presence introduces an element of divine judgment and perhaps foreshadows consequences for the actions taking place below. The scattering of birds in flight adds to the atmosphere of chaos and disruption.
The landscape itself is rendered with considerable detail, utilizing a palette of greens, browns, and blues to create depth and perspective. The distant city suggests civilization and order, yet it remains detached from the immediate violence. The overall effect is one of profound tragedy, exploring themes of envy, betrayal, and divine retribution. The artist’s choice of color and composition serves to heighten the emotional impact of this pivotal moment in a foundational narrative.