Soutine, Chaim. Self-portrait Hermitage ~ part 11

The portrait presents a figure facing forward, occupying nearly the entire frame. The artist employed a vigorous application of paint, creating a surface that is palpably textured and intensely expressive. A palette dominated by ochres, yellows, greens, and reds contributes to an overall sense of agitation and unease.
Here we see a man with a dense beard and dark hair, partially obscured by the shadow cast from his cap. The features are rendered in a distorted manner; the nose is prominent and bulbous, the mouth appears twisted into a grimace or suppressed expression, and the eyes possess an unsettling intensity. These exaggerations move beyond mere representation towards conveying an internal state of distress.
The background is indistinct, composed of swirling brushstrokes that seem to press in on the figure. This lack of spatial clarity further isolates the subject, intensifying his sense of confinement. The clothing – a green jacket with a visible collar – is rendered with similarly rough strokes, lacking any detail or refinement. It appears almost incidental to the central focus on the man’s face and emotional turmoil.
The paintings subtexts revolve around themes of psychological struggle and self-perception. The distorted features suggest an artist grappling with inner demons or anxieties. There is a sense of vulnerability conveyed through the raw, unvarnished depiction; it feels less like a formal portrait intended for display and more like a direct, unfiltered glimpse into the subject’s psyche. The aggressive brushwork and discordant color scheme amplify this feeling of unrest, hinting at an underlying emotional turbulence that permeates the entire composition. It is not a celebration of self but rather a confrontation with it – a raw and unsettling exploration of identity under duress.