Iris, De Silvia Araya

The canvas presents a dense cluster of flowering plants situated alongside what appears to be a body of water. The composition is dominated by these blooms, their forms rendered with thick, visible brushstrokes that imbue them with a tactile quality. A palette of purples, yellows, and greens defines the flora, while touches of pink and white add complexity to the color scheme.
The plants are arranged in overlapping layers, creating a sense of depth and abundance. The foreground is occupied by several prominent blooms, their petals unfurling in various stages of openness. Behind them, other flowers recede into the background, softened by distance and atmospheric perspective. A dark, reflective surface occupies the right side of the composition; it mirrors the colors above, blurring the distinction between water and sky.
The artist’s technique emphasizes texture and light. The impasto application of paint creates a three-dimensional effect, allowing the viewer to perceive the physicality of the petals and foliage. Light seems to emanate from within the flowers themselves, illuminating their forms and casting subtle shadows on surrounding areas.
Beyond the straightforward depiction of nature, theres an underlying sense of tranquility and contemplation. The dense arrangement of plants suggests a flourishing ecosystem, while the reflective water evokes stillness and introspection. The vibrant colors, despite their intensity, contribute to a feeling of serenity rather than agitation. One might interpret this as a celebration of natural beauty and its capacity for quiet renewal. The deliberate lack of human presence further reinforces the painting’s focus on the inherent qualities of the natural world.