drib 020 Peter Driben

The artwork presents a stylized female figure dominating the composition. She is depicted in a dynamic pose, one leg extended and bent at the knee, suggesting movement or a playful gesture. The womans upper body leans slightly forward, her head tilted with an expression of apparent amusement or flirtation. Her dark hair is styled in waves, framing a face rendered with exaggerated features characteristic of mid-century pinup art. She wears a vibrant yellow dress that clings to her form, emphasizing the curves of her figure.
The background is stark and minimal, primarily black, which serves to isolate and highlight the central subject. Text elements are superimposed on this backdrop; bold lettering proclaims BEAUTY PARADE in red, accompanied by smaller text indicating its a publication showcasing “the World’s Loveliest Girls.” A further phrase, DAMES CAN BE POISON! is positioned below, introducing an element of intrigue and potential danger. The month and price (May 25¢) are displayed in the upper right corner.
A black cat sits at her feet, adding a touch of domesticity and perhaps a subtle layer of symbolism – cats often represent mystery or independence. The overall effect is one of calculated allure, combining elements of glamour with an undercurrent of cautionary messaging. The artist employed a limited color palette – primarily yellow, red, and black – to create visual impact and reinforce the sense of stylized representation rather than realism.
The subtexts within this work are complex. While ostensibly celebrating female beauty, the tagline Dames Can Be Poison! introduces an unsettling ambiguity. It suggests that the idealized image presented is not necessarily benign or trustworthy, hinting at a potential for deception or danger associated with women. The playful pose and seductive gaze of the figure contrast sharply with this warning, creating a tension between attraction and apprehension. This juxtaposition likely served to engage the viewer and generate interest in the publications contents, capitalizing on prevailing societal anxieties surrounding female agency and sexuality during the period.