George Stubbs – Lustre, held by a Groom
c.1762. 102×127
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The horse dominates the right side of the painting and commands immediate attention due to its size and vibrant coloration. It’s a chestnut-colored animal with a glossy coat, meticulously rendered to highlight its muscular build and refined breeding. The artist has paid particular attention to details such as the white socks on its legs and the subtle sheen of its fur, emphasizing its value and desirability. The horse stands in a relaxed pose, yet maintains an alert demeanor, suggesting both power and gentility.
The background is comprised of a gently rolling landscape under a cloudy sky. A line of trees marks the horizon, receding into atmospheric perspective to create depth. The ground beneath the figures is covered with lush green grass, contributing to a sense of pastoral tranquility.
Subtleties within the work hint at broader social and economic narratives. The meticulous depiction of both man and animal suggests an appreciation for labor and natural beauty, but also implies a hierarchical relationship between them. The groom’s restrained posture and attire contrast with the horses magnificence, subtly reinforcing class distinctions prevalent in the era. The landscape itself, while idyllic, serves as a backdrop to this dynamic, hinting at the vastness of the estates where such animals would be kept and cared for.
The overall impression is one of quiet observation – a moment captured between human and animal, set within a carefully constructed environment that speaks volumes about status, labor, and the relationship between humans and nature.