Jules Dupre – Barks Fleeing Before the Storm
1870~75. 56×84 cm
Location: Art Institute, Chicago.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist employed a muted palette, primarily consisting of greys, blues, and browns, which reinforces the somber mood. The brushwork is loose and expressive, particularly evident in the rendering of the clouds, where thick impasto creates a sense of movement and impending chaos. The application of paint appears hurried, contributing to the feeling of urgency and vulnerability.
The vessels themselves are depicted as small and fragile against the immensity of the natural forces surrounding them. Their sails are angled sharply, suggesting they are attempting to outrun the approaching storm. A single human figure is visible on one of the ships, a tiny speck dwarfed by the scale of the scene; this emphasizes the insignificance of humanity in the face of natures power.
Beyond the literal depiction of a maritime event, the painting seems to explore themes of vulnerability, resilience, and the sublime. The storm can be interpreted as a metaphor for adversity or overwhelming challenges. The ships’ struggle represents human efforts to navigate difficult circumstances, while their small size underscores the precariousness of existence. The vastness of the sky and sea evokes a sense of awe and terror – the sublime – a feeling that arises from confronting something simultaneously beautiful and destructive.
The dark border framing the scene isolates the depicted moment, intensifying its emotional impact and suggesting a narrative beyond what is immediately visible. It creates a sense of enclosure, as if the viewer is witnessing this drama unfold within a confined space, further amplifying the tension and unease.