Pacher, Michael, Follower of (German, late 1400s) Michael Pacher

The composition presents a devotional scene arranged vertically, typical of late medieval panel paintings intended for private worship or altarpieces. A central female figure, presumably a Virgin Mary, is seated on a throne, her posture conveying both regality and maternal tenderness. She holds an infant in her arms, who extends his hand towards one of the flanking figures.
The artist employed a hierarchical arrangement to emphasize spiritual significance. The Virgin’s elevated position, bathed in golden light emanating from above, establishes her as the focal point. This luminosity is echoed by the two angelic beings hovering overhead; one holds a crown, symbolizing divine authority and queenship, while the other appears to offer a blessing or support.
Flanking the central figure are two female saints, each holding an attribute that identifies them through iconography. The saint on the left grasps a cross, a clear symbol of Christ’s sacrifice and redemption. The saint on the right holds a book, likely representing her role as a scholar or writer, possibly Saint Jerome. Their expressions are serene and contemplative, contributing to the overall atmosphere of piety.
The drapery is rendered with considerable attention to detail, utilizing folds and pleats to create a sense of volume and texture. The rich colors – deep blues, vibrant reds, and luminous golds – further enhance the painting’s visual impact and convey a feeling of opulence and sacredness.
At the base of the throne, scattered objects suggest a narrative or symbolic context. A chalice and what appears to be a small container might allude to the Eucharist and other sacramental rituals. The presence of these items grounds the celestial scene in earthly reality, reinforcing its devotional purpose.
The painting’s style suggests an adherence to established artistic conventions of the late fifteenth century, with elongated figures, stylized features, and a focus on symbolic representation over naturalistic accuracy. It is likely intended not merely as a visual depiction but as a conduit for prayer and contemplation, inviting viewers into a world of faith and divine grace.