#04546 Xaime Quessada (1937-2007)

The composition presents a complex layering of figurative and abstract elements within a predominantly cool color palette dominated by blues and greens. A central figure, seemingly male, is depicted in a dynamic pose – arms raised, body angled upwards with a sense of striving or ascension. The figure’s skin appears almost translucent, rendered in pale whites and blues that blend into the surrounding atmosphere. He wears what seems to be an elaborate headdress featuring avian motifs, suggesting a symbolic connection to flight or perhaps divinity.
Around this central figure, a fragmented landscape unfolds. A vibrant red circular form, likely intended as a sun or moon, punctuates the upper portion of the canvas. Below it, a cluster of dark, tree-like shapes emerges from a swirling mass of color – greens, yellows, and blues coalesce to create an impression of dense foliage or perhaps a submerged forest. Further down, another reclining figure is visible, partially obscured by overlapping planes and washes of color; this individual appears more passive, their form blending into the background rather than asserting dominance.
The artist employs a technique that combines elements of collage and painting. Geometric shapes – triangles, rectangles, and curves – are superimposed upon the figurative elements, creating a sense of spatial ambiguity and disrupting any clear perspective. These forms arent merely decorative; they seem to function as barriers or portals within this dreamlike realm. The application of paint is often loose and gestural, with washes and drips contributing to an overall feeling of fluidity and instability.
Subtextually, the painting seems to explore themes of aspiration, transformation, and the interplay between the human spirit and nature. The central figure’s upward movement could symbolize a quest for enlightenment or transcendence. The fragmented landscape suggests a world in flux, where boundaries are blurred and reality is subjective. The presence of both active and passive figures hints at a duality – perhaps representing opposing forces within an individual or society. The avian imagery might signify freedom, spirituality, or the ability to bridge earthly and celestial realms. Overall, the work evokes a sense of mystery and invites contemplation on the nature of existence and the human condition.