#04560 Xaime Quessada (1937-2007)

The composition presents a fragmented depiction of human figures within a highly stylized and abstracted environment. Here we observe three individuals, their forms rendered in a manner that prioritizes emotional expression over anatomical accuracy. The bodies are distorted, elongated, and partially obscured by overlapping planes of color, creating a sense of unease and psychological tension.
The palette is dominated by intense reds, oranges, and greens, applied with broad, gestural brushstrokes. These colors contribute to the overall feeling of heightened drama and emotional intensity. A horizontal band of green runs along the lower edge of the canvas, providing a grounding element against the fiery hues above. The background is divided into rectangular blocks of color, further emphasizing the fractured nature of the scene.
The figures appear to be engaged in some form of interaction, though their postures and expressions are ambiguous. One figure leans forward, its head tilted downwards, suggesting vulnerability or introspection. Another seems to recoil, with arms raised as if in defense. The third individual is positioned more centrally, but remains enigmatic, its face partially hidden by shadow.
The artist’s choice of subject matter – the human form – combined with the deliberate fragmentation and distortion, suggests a preoccupation with themes of identity, alienation, and psychological trauma. The lack of clear narrative or spatial context reinforces this sense of disorientation and emotional turmoil. It is possible to interpret the work as an exploration of the complexities of human relationships, where communication is fraught with misunderstanding and conflict.
The painting’s formal elements – the bold colors, distorted figures, and fractured composition – work together to create a powerful and unsettling visual experience. The absence of traditional perspective or depth further contributes to the feeling that we are witnessing an interior landscape rather than an external reality.