Paul Klee – La Belle Jardiniere, 1939, Kunstmuseum, Bern
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Rising from behind this central figure is a vibrant red, flame-like structure. Its upward trajectory disrupts the horizontal stability established by the lower form and introduces a dynamic tension into the overall arrangement. The upper portion of the canvas features several more abstract shapes – a dark oval containing what appear to be circular markings, and another shape resembling an elongated hexagon with smaller circles within it. These elements are positioned as if floating above the central figure and red structure, contributing to a sense of spatial ambiguity.
The artist’s use of color is significant. The contrast between the cool greens and browns of the background and the intense red of the upward-reaching form creates visual interest and emphasizes its prominence. The dark blue of the central figure grounds the composition while also suggesting a certain weight or solemnity.
Subtextually, the work seems to explore themes of structure versus dynamism, stability versus aspiration. The simplified forms suggest an attempt to distill complex ideas into their essential components. The arrangement of shapes could be interpreted as symbolic – the dark blue form representing perhaps a foundation or tradition, while the red element signifies ambition or spiritual striving. The upper shapes introduce a layer of mystery and potential meaning, inviting contemplation about unseen forces or realms. Overall, the painting conveys a sense of restrained emotion and intellectual inquiry, characteristic of an artist grappling with profound questions through abstract visual language.