Albert Goodwin – Norfolk Coast
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Below the sky, a body of water stretches towards the distance, its surface rendered in varying shades of blue and grey, reflecting the atmospheric conditions above. The water’s edge is indistinct, blurring the boundary between sea and shore. A strip of land occupies the lower portion of the painting. It appears to be grassy terrain, painted with similarly loose brushwork as the sky, using greens and browns that are not precisely defined. This lack of detail contributes to a sense of generality; it’s less about depicting a specific location and more about conveying an impression of coastal landscape.
The application of paint is characterized by visible texture and impasto, particularly noticeable in the sky and along the shoreline where white foam crests on the water. The artist seems interested not just in representing what is seen but also in capturing the materiality of the paint itself. This technique lends a tactile quality to the work, inviting closer inspection.
Subtly, theres an underlying melancholy conveyed through the muted color palette and the indistinct forms. While the sky’s colors suggest light, they are tempered by the prevailing grey tones, preventing any sense of exuberant joy. The lack of human presence or specific landmarks reinforces a feeling of solitude and contemplation. It is not merely a depiction of a place; it evokes an emotional response related to vastness, transience, and perhaps even a quiet sadness associated with nature’s power and indifference.