Part 6 Prado Museum – Teniers, David -- Fiesta campestre
1647, 75 cm x 112 cm, Lienzo, Óleo. David Teniers
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has meticulously rendered the details of peasant attire – a mix of simple fabrics, caps, and colorful accents – suggesting a range of social standings within the rural community. A palpable sense of joviality permeates the scene; figures laugh, gesture animatedly, and interact with one another in a lively fashion. The presence of musical instruments, though not prominently displayed, hints at the source of this spirited atmosphere.
Beyond the immediate festivities, the background reveals further layers of narrative. A procession moves along a path leading towards a distant church spire, suggesting a religious element intertwined with the secular celebration. This juxtaposition implies a blending of piety and pleasure, characteristic of rural life during the period. The architecture – the farmhouse itself, the simple buildings lining the road – is rendered with a degree of realism that grounds the scene in a specific time and place.
The arrangement of figures creates a sense of depth and perspective. Those closer to the viewer are more detailed, while those further away become progressively smaller and less distinct, contributing to the overall impression of a large, bustling gathering. The use of light is also noteworthy; it illuminates the central group of dancers, drawing the eye towards the heart of the celebration while casting the background in a softer, more diffused glow.
Subtly embedded within this seemingly straightforward depiction are potential commentaries on social hierarchy and rural customs. While the scene celebrates communal joy, one might observe disparities in dress or posture that hint at underlying class distinctions. The inclusion of animals – dogs playfully interacting with the dancers, livestock grazing in the background – further reinforces the connection to a pastoral existence and the rhythms of agricultural life. Overall, the work offers a glimpse into a specific moment in time, capturing the essence of rural community and its complex interplay of faith, tradition, and celebration.