Part 6 Prado Museum – Pradilla y Ortiz, Francisco -- Doña Juana la Loca ante el sepulcro de su esposo, Felipe el Hermoso
1877, 52 cm x 74,2 cm, Lienzo, Óleo.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Around the central figure, a gathering of individuals is visible, blurred and indistinct in their features. They seem to observe the woman’s mourning from a distance, creating an atmosphere of solemnity and restrained emotion. The background recedes into a hazy landscape, punctuated by what appears to be a distant city or settlement, rendered with muted tones that contribute to the overall sense of desolation. A bare tree stands prominently on the right side, its starkness echoing the emotional barrenness of the moment.
The artist’s use of light and shadow is significant. The scene is bathed in a diffused, overcast light, which softens the edges and creates a pervasive feeling of gloom. Light catches selectively on the gilded sepulcher and illuminates portions of the central figures face, drawing attention to her distress.
Subtleties within the painting suggest layers of meaning beyond simple mourning. The woman’s attire hints at a position of nobility or high status, while the elaborate tomb indicates someone of considerable importance. The blurred figures in the background could represent a courtly entourage or witnesses to this private moment of grief. The muted color palette and loose brushwork evoke a sense of historical distance, suggesting that this is not merely a depiction of an individual’s sorrow but a commentary on power, loss, and the passage of time. The composition implies themes of political intrigue and personal tragedy intertwined within a larger historical narrative.