Jules Bastien-Lepage – Sarah Bernhardt
47×33
Location: National Museum (Nationalmuseum), Stockholm.
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The artist employed a loose, expressive brushstroke throughout the work. This technique lends a sense of immediacy and spontaneity to the portrayal, suggesting that it might be a study or preliminary sketch rather than a finished piece. The application of paint is visible, with thick impasto in areas like the hair and collar, contrasting with thinner washes used for the skin tones. A muted palette dominates – grays, browns, and creams – with subtle hints of red around the neck suggesting fabric beneath her lace collar.
The woman’s hairstyle is elaborate, featuring a high arrangement of dark curls that frame her face. Her attire consists of a delicate lace collar over what appears to be a dress with reddish undertones. The details of the clothing are rendered with less precision than the facial features, indicating a prioritization of capturing mood and character rather than meticulous representation.
The woman’s expression is complex. While her eyes are closed, theres an underlying sense of melancholy or perhaps deep thought. This lack of direct eye contact creates a distance between the subject and the viewer, inviting speculation about her inner state. The slight downward curve of her mouth reinforces this impression of quiet sadness or introspection.
Subtly, the painting conveys themes of femininity, performance, and perhaps even vulnerability. The elaborate hairstyle and dress suggest a public persona, while the closed eyes and pensive expression hint at an interior life hidden beneath that facade. There is a sense of theatricality inherent in the pose and attire, but its tempered by the overall mood of quiet contemplation. The unfinished quality of the work further contributes to this feeling of intimacy – as if we are witnessing a private moment captured fleetingly.