часть 2 - Russian and soviet artists Русские и советские художники – Северный край 1899 Холст масло 178х250 см
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The river itself occupies a significant portion of the composition, its surface reflecting the muted light of the sky. The water’s color shifts subtly from deep blues and greens near the foreground to lighter, almost silvery tones further away, contributing to the illusion of atmospheric perspective. Along the banks, the forest continues, mirroring the density seen in the immediate foreground.
In the middle ground, a hazy expanse reveals more land, hinting at an extensive network of waterways and forested areas receding into the distance. The horizon line is low, emphasizing the scale of the landscape and contributing to a feeling of immensity. A band of color – a blend of pinks, oranges, and purples – appears near the horizon, suggesting either sunrise or sunset, although the overall mood remains somber and subdued.
The sky itself is overcast with heavy clouds, painted in shades of gray and blue. These clouds diffuse the light, creating a soft, diffused illumination that permeates the entire scene. The absence of direct sunlight contributes to an atmosphere of quiet solitude and perhaps even melancholy.
Subtly, the painting evokes themes of isolation and the sublime power of nature. The vastness of the landscape dwarfs any potential human presence, reinforcing the idea of humanitys insignificance in the face of natural forces. The dark foreground and overcast sky suggest a sense of mystery and foreboding, while the winding river implies an endless journey or passage through this remote territory. The artist’s choice to depict such a wild, untamed environment speaks to a reverence for the untouched beauty of the north, but also acknowledges its inherent harshness and remoteness.