часть 2 - Russian and soviet artists Русские и советские художники – Шипка Шейново Скобелев под Шипкой 1878 Холст масло 147х299 см
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COMMENTS: 2 Ответы
мой прадед в составе 21 минского полка может ошибусь в номерации как говорят сидел на шипке итут всё сказано помним скобелева а его нет Георгий есть В о й н а освобободительная смысл ДЛЯ чего если Р одина забыла его и его имя и его подвиг
Добавлю Прадед получил Георгия и денег впридачу
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A line of men stands in formation on the left side of the painting, appearing distant and somewhat indistinct against the backdrop of a mountainous range. They seem to be observing the scene before them, perhaps representing reinforcements or commanders assessing the situation. A small fire burns near this group, offering a meager source of warmth and light within the otherwise frigid environment.
To the right, a cluster of bare trees stands in stark contrast to the flat expanse of snow. The branches are devoid of leaves, emphasizing the barrenness and desolation of the landscape. The muted color palette – primarily whites, grays, and pale blues – reinforces this feeling of coldness and melancholy.
The artist’s use of perspective draws the viewers eye towards the distant mountains, creating a sense of depth and vastness. This expansive view underscores the scale of the tragedy and suggests that the conflict extends far beyond what is immediately visible. The light source appears to be diffused, casting soft shadows and contributing to the overall atmosphere of quiet sorrow.
Subtly, the painting seems to explore themes of sacrifice, loss, and the human cost of war. It avoids overt displays of heroism or glory, instead focusing on the grim reality of death and suffering. The absence of vibrant colors and dynamic action contributes to a sense of stillness and reflection, inviting contemplation on the consequences of armed conflict. The scene is not one of triumphant victory but rather a poignant memorial to those who perished in battle.