Professor CSA Print Yi Ming 026 Yi Ming

The artwork presents a dense and complex arrangement of gnarled tree forms dominating the composition. The palette is restricted primarily to shades of brown and ochre, lending a monochromatic quality that emphasizes texture and form over coloristic variation. Here we see an intricate network of branches, roots, and trunks intertwining, creating a sense of enclosure and depth within the depicted landscape.
The artist’s technique appears focused on capturing the aged character of these trees; bark is rendered with meticulous detail, showcasing its rough surface and irregular patterns. The absence of foliage suggests either winter or a deliberate stylistic choice to highlight the skeletal structure of the wood. Light falls unevenly across the scene, creating dramatic contrasts between illuminated areas and deep shadows that further accentuate the three-dimensionality of the forms.
The composition lacks a clear focal point; instead, the eye is drawn into a labyrinthine exploration of the trees’ interwoven structures. The arrangement suggests an ancient woodland, perhaps one untouched by human intervention. This evokes themes of longevity, resilience, and the enduring power of nature.
In the lower left corner, faint script in what appears to be Chinese characters is visible, alongside a small depiction of a figure – possibly the artist himself – observing the scene. The presence of this inscription hints at a personal connection between the creator and the subject matter, potentially indicating a meditation on time, memory, or artistic practice.
The overall effect is one of quiet contemplation and reverence for the natural world. The restricted color range and detailed rendering contribute to an atmosphere of solemnity and introspection, inviting viewers to consider the passage of time and the enduring presence of nature’s forms.