Johan August Strindberg – Wonderland
1894. 72.5×52
Location: National Museum (Nationalmuseum), Stockholm.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The surrounding environment is largely obscured by dark greens, blacks, and browns, which coalesce to form a wall of vegetation. These darker tones are not uniform; subtle variations in color suggest the complexity of natural growth – decaying leaves, shadowed branches, and the density of undergrowth. A cluster of pale blossoms appears at the base of the luminous area, their delicate forms providing a visual contrast against the surrounding darkness. They seem to be illuminated by the same light source, drawing the viewers eye towards them.
The painting evokes a feeling of mystery and seclusion. The obscured perspective and lack of clear focal points contribute to this sense of being lost within a larger, unknown environment. It is not merely a depiction of trees; it conveys an emotional response to nature – a feeling of awe and perhaps even apprehension. The contrast between the bright light and enveloping darkness suggests a duality: hope and uncertainty, beauty and decay, visibility and obscurity.
The work’s subtexts hint at themes of hidden realms or inner landscapes. It is possible to interpret it as an exploration of memory, dreams, or the subconscious mind – places where clarity dissolves into shadow and familiar forms become distorted. The blossoms could symbolize fleeting moments of joy or revelation within a larger context of darkness and ambiguity. Ultimately, the painting invites contemplation on the power of nature to both conceal and reveal, to inspire wonder and evoke a sense of the unknown.