William Marlow – Westminster Bridge
c.1774 oil on canvas pair of 8362
Location: Guildhall Art Gallery, London.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The water itself occupies a substantial portion of the canvas, reflecting the light and colors above. Several small boats populate its surface, some carrying figures who appear to be engaged in labor or leisure activities. The presence of these vessels implies both commerce and recreation on the waterway. Along the near bank, a group of individuals is depicted around what appears to be a barge or work platform; their actions are ambiguous but suggest manual labor related to the rivers upkeep or transport.
The bridge itself, spanning the water towards the architectural complex, serves as a visual link between foreground and background. Its arches create a rhythmic pattern that draws the eye deeper into the scene. A horse-drawn cart is positioned near the bank on the right side of the composition, further emphasizing the industrial activity associated with the river.
The circular format of the painting lends an unusual perspective to the view, creating a sense of intimacy and enclosure around the expansive landscape. The ornate frame surrounding the image reinforces this feeling, suggesting that the scene is presented as a treasured or carefully observed moment.
Subtly, the work conveys a mood of quiet observation and contemplation. It’s not a depiction of bustling activity but rather a glimpse into a specific time and place – a record of urban life intertwined with the natural environment. The subdued palette and lack of overt drama contribute to an atmosphere of understated dignity and perhaps even melancholy, hinting at the passage of time and the enduring presence of human endeavor within a larger historical context.