Natura mora 1927 29 Pere Daura

The composition presents a still life arrangement rendered in a fragmented and abstracted style. A central grouping appears to consist of a vessel or container, its form distorted and broken into geometric planes. This element is surrounded by what seems to be fruit – suggested through rounded shapes with hints of orange and red – contained within a shallow dish or bowl. To the lower right, a circular shape, colored in red, punctuates the scene. A blue-tinted conical object stands prominently, its form also fractured and presented from an oblique angle.
The background is not depicted as a continuous space but rather as a series of intersecting lines and planes, creating a sense of spatial ambiguity. These lines are rendered in varying shades of green, gray, and brown, contributing to the overall feeling of deconstruction. A broad swath of dark green or black occupies the upper left corner, acting as a visual anchor while simultaneously reinforcing the fragmented nature of the scene.
The color palette is restrained, dominated by earthy tones – ochre, beige, brown – with accents of red, blue, and green. The application of paint appears loose and gestural, with visible brushstrokes contributing to the work’s textural quality. Theres a deliberate lack of traditional perspective or depth; objects seem to float within the picture plane, defying conventional spatial relationships.
Subtly, the arrangement evokes themes of decay and transformation. The fractured forms suggest a process of disintegration, while the muted colors contribute to a melancholic atmosphere. The presence of fruit – often symbolic of abundance and ripeness – is presented in a state of partial concealment or fragmentation, hinting at the ephemeral nature of beauty and life. The overall effect is one of quiet contemplation on themes of time, change, and the fragility of existence.