Natura morta 1929 Pere Daura

Here we observe a still life composition arranged on a dark, indistinct surface. The arrangement centers around a woven basket overflowing with fruit and foliage. Several apples – varying in hue from pale yellow to deep red – are positioned at the lower left of the canvas, their forms rendered with simplified shapes and broad brushstrokes. Adjacent to them are several tomatoes, similarly treated, contributing to a sense of abundance and ripeness.
A green ceramic bowl occupies the right side of the composition. Its form is somewhat abstracted, its contours softened by the application of paint. The bowl’s surface reflects light in a muted way, suggesting a matte finish. Scattered around the basket and fruit are small red berries, adding visual complexity and depth to the scene.
The color palette is dominated by earthy tones – reds, greens, yellows, and browns – creating a sense of warmth and intimacy. The artist’s use of thick impasto lends texture and physicality to the objects depicted. Light appears to emanate from an unseen source, illuminating certain areas while leaving others in shadow. This contrast enhances the three-dimensionality of the arrangement.
Beyond the straightforward depiction of fruit and vessels, a sense of melancholy pervades the work. The subdued color scheme and simplified forms evoke a feeling of quiet contemplation. The abundance of ripe fruit could be interpreted as symbolic of fleeting beauty or the passage of time – a common theme in still life painting. The dark background contributes to this somber mood, creating a space that feels both enclosed and introspective. There is an intentional lack of detail; the focus remains on form and color rather than precise representation, suggesting a deeper exploration of perception and emotion.