Israels, Isaac – Etalage, 1894-1898 Rijksmuseum: part 4

The composition is dominated by a large window display, its contents illuminated against a backdrop of encroaching darkness. Within the display, a multitude of dolls are arranged in a seemingly chaotic yet deliberate fashion. Their varied colors – reds, whites, blues – create a vibrant contrast with the muted tones of the surrounding environment and the figures observing them.
The artist placed several individuals before the window. Two men, clad in dark overcoats, appear to be engaged in conversation while gazing at the dolls. A young girl, positioned on the right edge of the canvas, is partially visible, her face obscured by a hat, seemingly absorbed in the spectacle. The figures are rendered with loose brushstrokes, suggesting a fleeting moment and an emphasis on capturing atmosphere rather than precise detail.
The window itself acts as a barrier, separating the observers from the objects of their attention. This separation introduces a sense of distance and voyeurism. The dolls, presented within this contained space, become symbols of childhood, consumerism, and perhaps even artificiality. Their abundance suggests a culture saturated with manufactured desires.
The subdued lighting contributes to an overall mood of melancholy and introspection. It evokes the feeling of a late afternoon or early evening, a time when the bustle of commerce begins to subside. The darkness beyond the window hints at a world outside this carefully constructed scene, leaving the viewer to ponder the relationship between spectacle, desire, and reality. There is a sense that these figures are not merely observing dolls; they are witnessing a reflection of their own societal values and aspirations.