Rijksmuseum: part 4 – Tintoretto, Jacopo -- Christus en de overspelige vrouw, 1550-1580
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
A group of men, armed with spears and swords, are arranged in a tight cluster, their faces displaying varying degrees of agitation and righteous indignation. Their presence creates a palpable sense of tension and impending judgment. To the right of this assembly, a woman kneels on the ground, cradling an infant while being comforted by another figure; her posture suggests vulnerability and distress.
The architectural backdrop is characterized by classical elements: Corinthian columns adorned with sculpted figures, arches, and a receding perspective that leads to a distant cityscape under a stormy sky. The use of light is dramatic, highlighting the central figures and creating stark contrasts between illuminated areas and deep shadows. This contributes to an atmosphere of solemnity and moral gravity.
Beyond the immediate narrative depiction, several subtexts emerge. The elaborate architectural setting suggests a formal legal or judicial proceeding, elevating the event beyond a simple encounter. The contrast between the vibrant attire of the central figure and the somber tones of the surrounding individuals underscores his role as an intermediary or advocate. The inclusion of the woman and child introduces themes of compassion and mercy within a context of potential condemnation.
The stormy sky in the background might symbolize divine judgment or the turbulent emotional climate surrounding the event. Overall, the painting conveys a complex interplay of law, morality, piety, and human emotion, inviting contemplation on themes of forgiveness, justice, and societal responsibility.