Hans Rottenhammer – Massacre of the Innocents; Bethlehemitischer Kindermord
1603. Öl auf Kupfer, 78×56cm
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
A central figure, presumably the perpetrator of the violence, stands poised with a raised weapon, his posture conveying authority and ruthless intent. He is surrounded by armed men who actively participate in the slaughter, their faces impassive or even gleeful. The artist has employed dramatic lighting to highlight this individual, casting him in a stark contrast against the surrounding figures.
The background reveals a landscape of classical architecture – a portico supported by columns – suggesting an idealized setting that sharply contrasts with the brutality unfolding within it. Beyond this structure, a distant vista of mountains and sky provides a sense of vastness and timelessness, perhaps intended to underscore the significance of the event depicted. A faint suggestion of angelic figures appears in the upper portion of the composition, possibly representing divine witness or lamentation.
The color palette is rich and vibrant, with reds and golds dominating the foreground to emphasize the bloodshed and preciousness of the lives lost. The use of chiaroscuro – the interplay of light and shadow – intensifies the emotional impact of the scene, creating a sense of drama and immediacy.
Subtly, the composition seems to explore themes of power, injustice, and the vulnerability of innocence in the face of tyranny. The classical setting may allude to historical parallels or universal patterns of oppression. The presence of maternal figures underscores the profound loss and suffering inflicted upon those left behind. Ultimately, the painting conveys a powerful message about the devastating consequences of violence and the enduring pain it inflicts on humanity.