Hans Rottenhammer – Children of Venus; Kinder Der Venus
1621. Öl auf Leinwand, 58×47cm
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To the left of this central group, a woman seated upon a stone ledge plays a stringed instrument, likely a lute or harp. Her attire is simple, consisting of a white gown that drapes elegantly around her form. Adjacent to her, another figure, also female, holds what seems to be a drinking vessel and leans against a table laden with bottles and other containers, suggesting a celebratory gathering.
Further back, within the middle ground, several male figures are depicted. One man, clad in russet-colored garments, appears to be gesturing towards the scene unfolding before him. Another figure, identifiable by his characteristic horns and goat legs, reclines languidly, seemingly observing the activities with a detached amusement. A third man, dressed in classical attire, raises a goblet in what could be interpreted as a toast or offering.
Above this group, suspended amongst swirling clouds, two figures are positioned on a celestial plane. One is a male figure, presumably a deity, who appears to be descending from the heavens, his arms outstretched in a gesture of blessing or bestowal. A smaller winged figure, holding a bow and arrow, accompanies him, reinforcing the association with divine intervention and playful mischief.
The background features an architectural element – a stone archway – which frames a distant landscape populated by indistinct figures. This creates a sense of depth and perspective within the composition. The color palette is dominated by warm earth tones – ochres, browns, and reds – contrasted against the cool blues and greens of the foliage and sky.
Subtly, the painting explores themes of fertility, abundance, and the interplay between the divine and mortal realms. The presence of numerous children suggests a celebration of life and procreation. The gathering of figures around the table implies a ritualistic or festive occasion, possibly linked to harvest or seasonal celebrations. The inclusion of mythological characters – the horned figure and the descending deity – elevates the scene beyond mere earthly revelry, suggesting a connection to higher powers and ancient beliefs. The overall impression is one of idyllic harmony and sensual pleasure, characteristic of depictions associated with classical mythology and Renaissance ideals of beauty.