Valeri Larko – OBSOLETE TANKS, JERSEY CITY oil on paper 42 by 32in
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The artist’s meticulous attention to detail is evident in the depiction of the metalwork – rivets, beams, and ladders are all precisely portrayed, contributing to an overall sense of mechanical intricacy. The lower portion of the structure is partially obscured by tall grasses and foliage, suggesting a gradual encroachment of nature upon this man-made environment.
The color palette is restrained; predominantly cool tones of blue, grey, and green prevail, punctuated only by the rust’s orange hues. This limited range reinforces the feeling of desolation and decay. The light source appears to be coming from above and slightly to the left, casting shadows that emphasize the three-dimensionality of the tanks and their supporting framework.
Beyond a straightforward depiction of an industrial site, the painting evokes themes of obsolescence and abandonment. The structure’s dilapidated condition implies a past purpose now rendered irrelevant. Theres a sense of quiet monumentality in its presence; it stands as a relic of a bygone era, a testament to industry that has moved on.
The composition itself is somewhat unsettling. The central placement of the tanks creates a feeling of imposing weight and permanence, while their weathered state hints at inevitable decline. This juxtaposition generates a subtle tension between strength and fragility, progress and decay. The inclusion of natural elements – the grass and foliage – suggests a cyclical process where nature reclaims what was once built by human hands. Ultimately, the work prompts reflection on the transient nature of industrial endeavors and their impact on the landscape.