Gabriela Dellosso – Harlequin
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The figure’s posture is somewhat slumped; a sense of weariness or resignation seems to permeate the stance. One hand holds a small yellow flower, presented towards the viewer, while the other rests on the stomach, suggesting perhaps discomfort or vulnerability. The footwear – simple ballet slippers – further reinforces the theatrical nature of the presentation, yet their worn appearance hints at prolonged use and potential hardship.
The color palette is dominated by whites and blacks, punctuated by the red trim outlining the costume’s details and the vibrant yellow of the flower. This limited range contributes to a somber mood, while the bright yellow offers a fleeting moment of visual relief. The lighting is dramatic, highlighting the figures face and upper body, leaving the lower portion in shadow.
Subtextually, this work seems to explore themes of performance versus reality, masking, and perhaps even societal expectations. The harlequin costume, traditionally associated with playful antics and lighthearted entertainment, is here presented on a figure who appears burdened by something unseen. The flower, often symbolic of innocence or hope, feels fragile in the context of the overall composition, suggesting a fleeting moment of beauty amidst an underlying sadness. There’s a sense that this individual is not merely playing a role but embodying a deeper emotional state – a poignant commentary on the human condition and the masks we wear to navigate it. The darkness enveloping the figure could be interpreted as isolation or the weight of unspoken truths, adding layers of complexity to the narrative presented.