William Blake – Christ Giving Sight to Bartimaeus
1799 to 1800. 26×38
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Flanking the central figures are three other men, positioned slightly behind and to the left of the primary interaction. They wear robes of varying hues – browns, yellows, and ochres – and possess long beards and hair, suggesting age or wisdom. Their expressions appear contemplative, observing the unfolding event with a mixture of solemnity and perhaps awe.
The artist’s use of color is notable. The white garment of the central figure contrasts sharply against the darker tones of the surrounding landscape and the clothing of the onlookers. This contrast draws immediate attention to him, emphasizing his role as a source of light or healing. The landscape itself is rendered with broad strokes, creating a sense of depth and vastness. The mountains in the background are painted in cool blues and purples, contributing to an overall feeling of serenity and transcendence.
Beyond the literal depiction of a miraculous event, the painting seems to explore themes of faith, dependence, and divine intervention. The supplicant’s posture conveys vulnerability and need, while the outstretched hand suggests compassion and restoration. The presence of the observers hints at the communal aspect of belief and witnessing.
The landscapes expansive nature might symbolize the boundless reach of spiritual grace or the potential for transformation that exists beyond the immediate confines of human experience. The subdued palette and simplified forms contribute to a sense of timelessness, elevating the scene from a specific narrative moment to a universal representation of hope and redemption.