The Dachshound Pehr with Dead Game and Rifle Jean-Baptiste Oudry (1686-1755)

Here we observe a still life composition centered around themes of hunting and domesticity. A dark-coated dog, likely a dachshund given its characteristic elongated form and short legs, occupies the lower portion of the canvas. The animal is positioned in profile, facing towards the viewer with an attentive posture; its ears are pricked forward, suggesting alertness or expectation.
Suspended above the canine figure is a pheasant, hanging by its feet from what appears to be a hook affixed to the wall. The bird’s plumage displays vibrant hues of yellow, brown, and green, meticulously rendered to capture the texture of the feathers. A rifle leans against the wall beside the pheasant, its barrel running vertically alongside the suspended game.
The background is dominated by a stone wall, providing a neutral backdrop that emphasizes the objects in the foreground. Patches of foliage are visible at the lower right corner, introducing a touch of naturalism and softening the otherwise stark architectural setting. The lighting appears to originate from an unseen source on the left side, casting shadows that define form and volume.
The arrangement suggests a narrative – a successful hunt concluded, with the dog acting as both companion and witness. The presence of the rifle implies agency and skill in procuring the game, while the dachshund’s posture hints at its role within this activity, perhaps as a retriever or guardian.
Beyond the literal depiction of a hunting scene, subtexts relating to status and mastery over nature emerge. The careful presentation of the pheasant, hung for display, suggests an element of pride and accomplishment associated with the hunt. The dog’s inclusion further reinforces notions of companionship and loyalty within a lifestyle connected to rural pursuits. The overall effect is one of quiet dignity and understated celebration of a traditional pastime.